First Novel Class
Class Description: Million-dollar book deals, Hollywood adaptations: first novelists dream big, and understandably so. But the reality of the first novel is darker and more complex, and consequently much more interesting. Even “successful” first novels cast a long and potentially suffocating shadow over the rest of the writer’s career—almost every writer at some point in their career disinherits their freshmen fictions; some never write again. In this class, we will read the famous and sometimes obscure first novels of famous and sometimes obscure writers, including Henry James, F. Scott Fitzgerald, Aldous Huxley, Eudora Welty, Frederick Exley, Don DeLillo, Jamaica Kincaid, J.M. Coetzee, David Foster Wallace, Lydia Davis, among others; we will also read excerpts from the writers’ later work and examine the first novel’s effect on the writers’ writing and his/her life. Each week students will be expected to read the literature and turn in short personal essays, which will address the weekly “Things to Think About” handout provided by the instructor and relate the texts to the students’ own experience as presumed (read: hopeful) first novelists. Why do some first novels “work” while others slip by unnoticed? What lessons can a first novelist learn from a first, failed novel? What is the relation of fame and failure?
Week 1 Course introduction; instructor and student introductions; creation of schedule In-class lecture and discussion: “The First Novel: Hopes and Failures” In-class exercise: write the blurb for your own first novel
Week 2 Henry James, Watch and Ward (1871); Golden Bowl, excerpts Discussion: “The Impulse to Revise” Essay due: write a review of James’ debut as if it were published today
Week 3 F. Scott Fitzgerald, This Side of Paradise (1920); “Pasting It Together,” essay Discussion: “The Manic Stylist – The Temptation of the First Novelist” Essay due: “Weak writing, or brilliant stylistic high-wire act?” In-class exercise: write something intentionally horrible
Week 4 Aldous Huxley, Crome Yellow (1922); selected later Huxley Discussion: “Satire and the Totalitarian Imagination” Essay due: Does Crome work as a satire?
Week 5 Eudora Welty, The Robber Bridgegroom (1943); “A Worn Path,” story Discussion: “Myth and First Fictions” Essay due: discuss Welty’s appropriation of myth and its affect on her prose
Week 6 JD Salinger, Catcher in the Rye (1951); Harper Lee, To Kill a Mockingbird (1959) Discussion: “The First and Only Novel – What (If Anything) Went Wrong?” Essay due: The Case of the Disappearing First Novelist
Week 7 Frederick Exley, A Fan’s Notes (1968) Discussion: “The Fictional Memoir – Thoughts on Literary Thievery” Essay due: review the Exley book in imitation of its style *Evening showing of A Fan’s Notes film adaptation starring Jerry Orbach
Week 8 Visiting first novelist: Dave King, The Ha-Ha Guest lecture: “On Writing My First Novel” Essay due: write a short story from the perspective of someone who is without one or more of the five sense (hearing, seeing, etc.)
FALL BREAK
Week 9 Don DeLillo, Americana (1971); excerpts of Underworld and The Body Artist Discussion: “The Bravura Opening: Style and Substance” Essay due: discuss DeLillo’s Opening Paragraph
Week 10 J.M. Coetzee, Dusklands (1974); excerpts from late-career memoir Discussion: “Narrative and Politics: the Land of the Imagination” Essay due: discuss Coetzee’s narrative strategy in his first book
Week 11 Jamaica Kincaid, Annie John (1985) Discussion: “Fictionalizing Colonization: the Place of the Narrator” Essay due: discuss Kincaid’s narrative strategy
Week 12 David Foster Wallace, The Broom of the System (1987); Infinite Jest, selections Discussion: “The Maximum Imagination: The Mind of Narrative” Essay due: imitate DFW, then critique your own imitation
Week 13 Lydia Davis, The End of the Story (1995) Discussion: “The Disappearing Narrative” Essay due: discuss Davis’ style in relation to her story
Week 14 Visiting first-novelist: Jeffrey Eugenides, The Virgin Suicides (1993) Guest lecture: “On Writing My First Novel” Essay due: “Now what do you think about the First Novel?” End of term party
Further First Novels to Read: Ernest Hemingway, The Sun Also Rises Mary McCarthy, The Oasis George Orwell, Burmese Days Thomas Pynchon, V. Ian McEwan, The Cement Garden Stephen King, Carrie Joseph Heller, Catch-22 Richard Yates, Revolutionary Road Richard Ford, A Piece of My Heart Hanif Kureishi, The Buddha of Suburbia Lorrie Moore, Anagrams Paul Auster (as Paul Benjamin), Squeeze Play Angela Carter, Shadow Dance E. Annie Proulx, Postcards Bret Easton Ellis, Less Than Zero Joanna Scott, Fading, My Parmacheene Belle Jonathan Safran Foer, Everything Is Illuminated Mark Haddon, The Curious Incident of the Dog in the Night-Time Gary Shteyngart, The Russian Debutante’s Handbook Aleksandar Hemon, Nowhere Man Joshua Ferris, Then We Came To the End
Week 1 Course introduction; instructor and student introductions; creation of schedule In-class lecture and discussion: “The First Novel: Hopes and Failures” In-class exercise: write the blurb for your own first novel
Week 2 Henry James, Watch and Ward (1871); Golden Bowl, excerpts Discussion: “The Impulse to Revise” Essay due: write a review of James’ debut as if it were published today
Week 3 F. Scott Fitzgerald, This Side of Paradise (1920); “Pasting It Together,” essay Discussion: “The Manic Stylist – The Temptation of the First Novelist” Essay due: “Weak writing, or brilliant stylistic high-wire act?” In-class exercise: write something intentionally horrible
Week 4 Aldous Huxley, Crome Yellow (1922); selected later Huxley Discussion: “Satire and the Totalitarian Imagination” Essay due: Does Crome work as a satire?
Week 5 Eudora Welty, The Robber Bridgegroom (1943); “A Worn Path,” story Discussion: “Myth and First Fictions” Essay due: discuss Welty’s appropriation of myth and its affect on her prose
Week 6 JD Salinger, Catcher in the Rye (1951); Harper Lee, To Kill a Mockingbird (1959) Discussion: “The First and Only Novel – What (If Anything) Went Wrong?” Essay due: The Case of the Disappearing First Novelist
Week 7 Frederick Exley, A Fan’s Notes (1968) Discussion: “The Fictional Memoir – Thoughts on Literary Thievery” Essay due: review the Exley book in imitation of its style *Evening showing of A Fan’s Notes film adaptation starring Jerry Orbach
Week 8 Visiting first novelist: Dave King, The Ha-Ha Guest lecture: “On Writing My First Novel” Essay due: write a short story from the perspective of someone who is without one or more of the five sense (hearing, seeing, etc.)
FALL BREAK
Week 9 Don DeLillo, Americana (1971); excerpts of Underworld and The Body Artist Discussion: “The Bravura Opening: Style and Substance” Essay due: discuss DeLillo’s Opening Paragraph
Week 10 J.M. Coetzee, Dusklands (1974); excerpts from late-career memoir Discussion: “Narrative and Politics: the Land of the Imagination” Essay due: discuss Coetzee’s narrative strategy in his first book
Week 11 Jamaica Kincaid, Annie John (1985) Discussion: “Fictionalizing Colonization: the Place of the Narrator” Essay due: discuss Kincaid’s narrative strategy
Week 12 David Foster Wallace, The Broom of the System (1987); Infinite Jest, selections Discussion: “The Maximum Imagination: The Mind of Narrative” Essay due: imitate DFW, then critique your own imitation
Week 13 Lydia Davis, The End of the Story (1995) Discussion: “The Disappearing Narrative” Essay due: discuss Davis’ style in relation to her story
Week 14 Visiting first-novelist: Jeffrey Eugenides, The Virgin Suicides (1993) Guest lecture: “On Writing My First Novel” Essay due: “Now what do you think about the First Novel?” End of term party
Further First Novels to Read: Ernest Hemingway, The Sun Also Rises Mary McCarthy, The Oasis George Orwell, Burmese Days Thomas Pynchon, V. Ian McEwan, The Cement Garden Stephen King, Carrie Joseph Heller, Catch-22 Richard Yates, Revolutionary Road Richard Ford, A Piece of My Heart Hanif Kureishi, The Buddha of Suburbia Lorrie Moore, Anagrams Paul Auster (as Paul Benjamin), Squeeze Play Angela Carter, Shadow Dance E. Annie Proulx, Postcards Bret Easton Ellis, Less Than Zero Joanna Scott, Fading, My Parmacheene Belle Jonathan Safran Foer, Everything Is Illuminated Mark Haddon, The Curious Incident of the Dog in the Night-Time Gary Shteyngart, The Russian Debutante’s Handbook Aleksandar Hemon, Nowhere Man Joshua Ferris, Then We Came To the End